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ajabu


an audio-visual house & collective working on preservation, production, and presentation



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an ajabu ajabu production

‘apostles of cinema’

dir. darragh amelia & gertrude malizana
w. jesse gerard mpango and cece mlay

commissioned by WePresent


Apostles of Cinema (or Tenzi za Sinema) follows Frank, DJ Black, and Rehema — three devoted film workers in Tanzania — as they reintroduce a classic piece of the country’s film history to their audiences of working class cinephiles. We join them, alongside Maangamizi: The Ancient One (2001), on a journey through the labyrinth of informal libraries, studios, and cinemas that exist to keep film and film culture alive. A testament to the profound cultural value of film when made truly accessible.













screenings

06/03/23 - world premiere: manyema sinema (TZ)
08/03/23 - tampere film festival (FI)
23/04/23 - estación terrena (CO)
27/04/23 - int’l short film festival oberhausen (DE)

16/05/23 - flatpack festival (UK)
19/05/23 - ny african film festival (US)
05/06/23 - eye international conference (NL)
07/06/23 - kurzfilm festival hamburg (DE)
22/06/23 - encounters int’l doc festival (SA)
28/06/23 - zanzibar international film festival (TZ)
07/07/23 - institute of contemporary arts (UK)
21/07/23 - durban international film festival (SA)
07/08/23 - la guarimba film festival (IT)
28/08/23 - odense int’l film festival (DK)
09/09/23 - dmz docs (KR)



a note from DA, GM, JGM, & CM


In 2001, a film was released from Tanzania titled Maangamizi: The Ancient One. Despite international acclaim, the film went virtually unseen at home — a fate far too common for works of African cinematic heritage.

Ajabu Ajabu’s interrogation into why this is has been met by popular response that the country is ‘lacking in film culture’.
 
Apostles of Cinema counters this claim. (Informally) constructed around Ajabu Ajabu’s efforts to ‘return’ this piece of cinematic heritage to local audiences — the work examines the definition of preservation and advocates for a re-imagination of the practice to prioritise cultural value. What is proposed by our collective and our collaborators is an ethos of radical accessibility based upon open and inclusive modes of circulation, interpretation, and communion.

It is our hope that this window into the, actually, exceptionally vibrant film cultures of Tanzania can build solidarity around distribution practices that centre a reciprocal relationship with audience and highlight the inter-dependency driving contemp
orary experiences of cinema around the world. ✨




more info (or screener request)